A Guide to Submitting
For those interested in publishing in journals, here's a brief guide to publishing in journals.
1. Only submit when you're absolutely satisfied with the piece
To me, this is crucial for a happy publishing career-- and too often ignored amidst the pressure to publish to prove your writerly worth
In the euphoria of finishing a piece, it's easy to believe that after a few edits, the piece is ready to fly the coop. In my earlier publishing days, I sent piece after piece, and when I got the inevitable rejection, I was always sour about it until I looked at the piece again and realised there was a lot that needed fixing (beyond just typos). Eventually it struck me that I'd be more unhappy to see a piece get published in an unfinished state than if it were never published at all. Since then, I've made a practice of stretching out my process to make sure a week or more passes between each editing session. I also force myself not to rush each stage, only upgrading a piece from the drafting stage until I feel happy that it has its shape and major components in place, from the revising stage when I no longer feel the need to make any substantive alterations, from the editing stage when I'm starting to futz with word choice/order rather than actually changing much, and then giving it at least two sweeps before I consider it sufficiently cleaned up. (Note that it's virtually impossible to eliminate all mistakes by yourself, so it's always a good idea to have another person check it. But unless there are a lot of glaring errors, most editors are willing to extend grace.)
2. Always be professional
Editors talk, and so it's never a good idea to piss one off. Some no-no’s (all committed a lot more than you’d think)
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Challenging a rejection
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Yelling at the editors because of a long wait to hear back.
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It *is* appropriate to follow up if it’s been substantially longer than the period a journal says it tries to get back to submitters—something a long the lines of:
Dear Editors,
I submitted [ piece ] on [ date ], and I’m checking to see if it’s still in consideration.
Thank you,
Me -
If you do decide to withdraw the piece and have to write to the journal to inform them, keep it short and polite.
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Demanding special treatment. For example: "You have to publish me because I'm [insert title, appellation, reputation, etc]."
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Ridiculous cover letters (more on that later)
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Not withdrawing a piece if it’s accepted elsewhere. Few things piss off editors more than accepting a piece only to find out it’s not available anymore, unless maybe it's finding out a writer backtracked on a publishing agreement because a more prestigious journal accepted the piece. (And since editors talk, it's highly likely they'll find out.)
For those in the back: Once you agree to publish with a journal, you have to withdraw it from everywhere else.
3. Follow Submission Guidelines
Every journal has its own ways of doing things, almost always detailed on the submission page, and it's important that you follow them. Some editors automatically disqualify submissions that break the guidelines, and even if your submission is still considered, the breaches are almost certainly going to be counted against you.
Mistakes do happen however, so make sure that you at the very least adhere to these:
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If a journal says not to include identifying information, absolutely make sure you don't, or your piece will almost certainly be disqualified. (Also make sure the filename doesn't contain your name.)
When it comes to nonfiction that includes your name or names that could identify you, you may be asked to redact that information. If you're submitting a piece that includes real names, it's worth having a version on hand that has that redacted just in case you run into a journal that wants this. -
Follow length restrictions. Generally there's a little bit of wiggle room, and 10% too long is usually looked past, but there are journals were this would be a deal breaker. This is especially true the smaller the word count is.
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Adhere to document requirements. If a journal asks for only .docx, pdf, for example, it's important to comply. Often it's because they have software that only works with certain formats, and if an editor can't open your file, 95% won't bother. In general it's a good idea to avoid anything outside of pdfs or Microsoft Word. If you're using a different word processor (like pages or Open Office), there will be options to Save As or Export to these formats. In a pinch, you could also use Google docs.
Poets and writers of flash/micro pieces might be told to include all pieces in one document or, conversely, in multiple. While editors might let a failure to do so slide more than if they can't access your piece, it's not a good look.
Things that are not usually fatal to a submission but you should be mindful of:
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Use standard fort and format. Times New Romans 12pt double spaced or Arial 11pt double spaced are always safe bets. Stick with default page margins of 1 inch all around.
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Include any information that is asked for. Some journals want the title of the piece and page numbers in the header. Some might also ask that you include your name, though messing up on that is nowhere near as catastrophic as the reverse (as per above).
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Here's a good guide on how to format your submission from Janelle Drumwright at Carve magazine.
4. Keep your cover letters simple
You may be tempted to put a lot into your cover letter, but the truth is editors barely pay attention to it, and when they do it's rarely a good thing. In a way you can gain nothing by your cover letter, but you can lose by them.
This is a template I use for fiction submissions:
1. You can address the letter to the editor in chief and the genre editor, but it’s not necessary
2. I leave highlighted blanks so I don’t forget to change them to enter the appropriate informationThe first blank is for the title of the piece. The standard format is to put the title of short work in quotes, with italics being reserved for books. Capitalise the first word and every noun, verb, adjective, and adverb. Leave articles (a, an, the) in lower case (unless it’s the first word), as well as prepositions (to, from, with, etc). So “The Tale of the White Mouse”.You can play with the rules, and some writers might want a title in all lower case. But in general, unless you have a good reason for it, just stick to the standard.
4. Don’t describe the piece. Editors don’t want their reading coloured by your explanations.
ABSOLUTELY DO NOT compare it to the work of great writers. This will come off as conceited if not downright deluded.
5. Don’t include a whole list of your degrees and awards nor the pieces you’ve published; no more than 3 each is sufficient. Editors rarely pay attention because what matters is the piece at hand.
6. Generally I end my letters with something fun, but many opt out of any personal info.
3. The second blank is for the name of the journal. Follow their lead on capitalisation.
5. Keep track of your submissions
It's important that you don't forget where you've sent your pieces, especially if you're submitting them to multiple places at once. The primary reason is to avoid these two very unprofessional acts:
1) Submitting the same piece to a journal that's already rejected it. Once a journal says no to that piece, there's no point trying again. In all likelihood, they'll reject it again automatically, and you'll just leave a bad taste in their mouths. (There's some leeway if it's been enough time, especially if there's been turnover in the editorial team.)
2) Forgetting to withdraw your piece once you've already agreed to publish it. It's highly frustrating for editors to choose your piece only to find out it's no longer available.
Another benefit of tracking your submissions can be to note if a journal has an affinity for your work. If you're getting multiple personal rejections from a journal, there's a much better chance that your next submission will be accepted there than at another journal who routinely rejects your work. I personally give a rank for my rejections in this order:
Personal comment > Invitation to submit again > Expression of appreciation > Form rejection.
If you're submitting in multiple genres it's worth separating those submissions, because even in the same journal, different genre boards/editors can have very different aesthetics.
If you've received a personal rejection, it's entirely appropriate to note this in your cover letter. My default cover letter in this case is:
Dear Editors,
Thank you for your encouragement on my last submission! I'm sending along this piece, "[Name of Piece]" for your consideration.
Hope you enjoy the read!
best,
Nicola
A useful resource, if you can spare $55 a year, is Duotrope. They not only allow you to easily track your submissions, but they provide information on journals, such as how many submissions they get a year, how long they usually take to respond, their acceptance to rejection ration, and more.
Another resource is Submittable. Many journals now exclusively handle their submissions through this site, and it'll keep track of all the times you've submitted through it.
6. Submit to journals because you appreciate them
It's easy to be drawn into only submitting to the "best" journals, which often means the most prestigious ones. While it is certainly an accomplishment to get into one of these, but in my opinion there are many journals that coast on name recognition and have become stale. On the other hand, there are many smaller journals that are doing things that I admire a lot more, and I'd rather see my pieces there than in some big name journal that I don't respect.
It's also worth noting that few editors care about where a writer has been published before - it's the work before them that counts.
Where it does make a difference is with agents, especially since many read the bigger journals to try and spot potential writers to work with.
7. Make a budget
Submission fees can rack up quickly. There are a lot of great journals that are free to submit to, or who have free submission windows for writers from certain demographics, so you don't have to spend a penny to find quality homes for your work.
But there are journals that do require fees, and many of these do so just to maintain operating costs. Running a journal is often a labour of love, and it's especially hard for editors to commit when they are also losing money. Many of these journals charge small fees of $2-$5, and so you can submit to a bunch with a small budget. But if you're not disciplined, you can easily find yourself spending more than you'd have expected.
One thing I generally recommend against is submitting to contests. The fees for these are usually $20, sometimes more, and the number of submissions are often in the hundreds, even more than a thousand for the biggest ones. This means that for the initial reading periods your work becomes one in a deluge of submissions that a small number of people (very often including interns), and it can be very hard to rise above that. And even if yours gets to the later cuts, there will still be dozens of quality pieces left.
8. Don't get discouraged
I've said this many times and I will keep saying it. Submitting is a grueling processing, and it's virtually impossible to not have rejections affect you--and the more you submit, the more you'll be rejected. But if you're confident in your work, and publishing remains your goal, then you just have to plod on and at some point your work will find its place. Until then, try your best to not let it define your worth as a writer. I personally find some comfort in calling a submission session "sowing the seeds of rejection".
Also, if you've made any of the mistakes listed above, don't be too hard on yourself. We all goof up, and it's just a matter of doing better next time.